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Rendering the Invisible
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Take 2

n.d.13 WORKS

The second collection — the frames that followed First light.

An angular sculpture of glass, mesh and steel panels standing on a mulch bed outside a brick building, photographed in near-infrared light.
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A broad tree in full leaf standing over a painted wall listing a city's products and sports, photographed in near-infrared light.
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A leafy branch reaching over a chain-link fence and a steel post against an empty sky, photographed in near-infrared light.
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A wide view across a pond to a mown bank, a far treeline and a farm building under a tall cloudscape, photographed in near-infrared light.
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A stone courtyard building with its walls under heavy ivy, seen across a city street with parked cars and a steel truss crossing the right of the frame, photographed in near-infrared light.
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Tents, hammocks and a camp chair pitched among tall trees below a weathered barn, photographed in near-infrared light.
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A row of tents pitched at the edge of a stand of tall pines above a mown field, photographed in near-infrared light.
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Close view of two upright leafy stems against an out-of-focus street with a lamppost behind them, photographed in near-infrared light.
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A black dog running through long grass toward the camera, with a wooded ridge and one tall cloud behind, photographed in near-infrared light.
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A pair of mannequin legs propped on a folding chair in cut hay, with festival-goers, parked trailers and a wooded ridge beyond, photographed in near-infrared light.
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A boulder on a gravel lot beside a row of portable toilets and a shipping-container shower block, under a heavy cloud bank, photographed in near-infrared light.
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A slow creek between wooded banks with flat rock ledges in the foreground, photographed in near-infrared light.
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A bearded man in sunglasses wearing a fringed lampshade as a hat, with a fur tail over one shoulder, photographed in near-infrared light.
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